I got to say bakemonogatari was really good, and the sequels so far are fantastic. i think its going to dethrone TT as my favorite series.
very dialogue heavy but its kind of like grosse point blank, the witty dialogue is what makes it good. its near impossible to follow if u dont understand how the japanese language works of course, because nisio isin is heavy on puns and other word related jokes. he also references other manga and stories a lot, most of which i am unfamiliar with but its not that detrimental to the story.
Thursday, December 19, 2013
Wednesday, December 18, 2013
Hall of Fame Induction: Hidamari Sketch
In my Anime Hall of Fame series, I highlight shows that I enjoyed a lot and think are worth trying out. Click the "stardf29's Anime Hall of Fame" tab at the top of the page to see a list of all the inducted anime series so far. More anime series will be inducted over time, and this post will be updated with any new information for this series.HIDAMARI SKETCH
Don't worry; these girls' souls are perfectly safe in this show. (Official art for season 4.)
Don't worry; these girls' souls are perfectly safe in this show. (Official art for season 4.)
(Update) it was the color of your hair
Long time no update. Things have been a bit hectic for me, particularly with my laptop getting stolen from my house on 11/27 which had a lot of my screencaps I was going to share eventually. Luckily it was only a small portion that I had left only on my laptop with the rest on my external HD. Here's a list of series that will be delayed because I have to do them again. Still adjusting to my new laptop, too.
LOST SCREENCAPS
LOST SCREENCAPS
Hot this Season: Fall 2013
With the lack of quality anime that the summer brought over the fall did not disappoint our expectations what-so-ever. As the season draws to a close we can hi-light the good from the bad and really draw out which Anime's stood out from the rest. There were quite a few this season as this one was a fruitful season indeed. And here it is, in no particular order, the Hot picks of Fall 2013.
Monogatari Second Season
Monogatari Second Season
12 Days of Anime #11
As a somewhat older anime fan who's been watching anime for a while, I sometimes reflect on who is anime aimed at, such as in . I confess to finding myself cranky and cynical, when shows aimed at "adult men" most often depict high school girls being "cute", and the more thought-provoking anime often end up relying on sound-bytes of philosophy and gore to show us just how "mature" they are and are even ostensibly marketed towards teenagers.
Uchouten Kazoku showing us a rare level of self-reflection within anime.
Uchouten Kazoku showing us a rare level of self-reflection within anime.
12 Days of Anime #8
Sometimes, you just find yourself staring at the screen, mouth agape, as the shiny pictures flash in front of your eyes, and they're just so pretty. I know it seems weird coming from someone who writes (well) over a thousand words on so many shows, but sometimes I just look at my monitor, realize I have no idea what's going on or how to approach it, and just let the shows wash over me.
Stills do this no justice, check the YouTube video down-post
Stills do this no justice, check the YouTube video down-post
Sympathy For The Devil: PUELLA MAGI MADOKA MAGICA ~ REBELLION ~
PUELLA MAGI MADOKA MAGICA/ is one of those rare, beautiful times where popular culture has found a way to transcend itself; it took something unique to its medium, and managed to give its usual audience exactly what they asked for while simultaneously undercutting the very idea of it all. Originally a 12 episode TV series that aired in 2011, written by noted nihilist Gen UROBUCHI, and directed by Studio Shaft's most valuable madman, Akiyuki SHINBOU. The final result was a stunning, even shocking reminder that you can deliver a near-perfect piece of entertainment that finds a way to give audiences exactly what they want, despite also never giving them what they expect, and even reveling in how absurd their taste really might be.
The word "Deconstruction" is a dangerous one to throw around these days, with TV Tropes being able to get all up in your grill about what does and doesn't technically qualify as such, but if Watchmen was a deconstruction of costumed comic book vigilantes, if A Song of Ice and Fire was a deconstruction of impervious heroism in a fictionalized version of Medieval Europe, and if Cabin in the Woods was a deconstruction of the insatiable need for an audience to watch young people die for their own amusement, I think it's safe to call Madoka Magica a deconstruction of the Magical Girl subgenre, one which - alongside piloting giant transforming robots, being surrounded by a harem of partially-clothed beautiful women, and adolescents traveling the world without parental supervision, homework, or part time jobs to partake in fully legal dog fights with total strangers - has remained mostly, if not quite exclusively, within the domain of Japanese animation. For once, comparisons tothe 90s equally popular and upsetting Neon Genesis Evangelion and its brutal, self loathing vivisection of its own anime-infused genre are completely valid, perhaps even unavoidable... but unlike Shinji Ikari's journey of grotesque and traumatic self-discovery, Madoka Kaname's adventure never gets quite so far up its own ass that it ever stops being a show about the thing it was going out of its way to tear down in the first place.
The word "Deconstruction" is a dangerous one to throw around these days, with TV Tropes being able to get all up in your grill about what does and doesn't technically qualify as such, but if Watchmen was a deconstruction of costumed comic book vigilantes, if A Song of Ice and Fire was a deconstruction of impervious heroism in a fictionalized version of Medieval Europe, and if Cabin in the Woods was a deconstruction of the insatiable need for an audience to watch young people die for their own amusement, I think it's safe to call Madoka Magica a deconstruction of the Magical Girl subgenre, one which - alongside piloting giant transforming robots, being surrounded by a harem of partially-clothed beautiful women, and adolescents traveling the world without parental supervision, homework, or part time jobs to partake in fully legal dog fights with total strangers - has remained mostly, if not quite exclusively, within the domain of Japanese animation. For once, comparisons tothe 90s equally popular and upsetting Neon Genesis Evangelion and its brutal, self loathing vivisection of its own anime-infused genre are completely valid, perhaps even unavoidable... but unlike Shinji Ikari's journey of grotesque and traumatic self-discovery, Madoka Kaname's adventure never gets quite so far up its own ass that it ever stops being a show about the thing it was going out of its way to tear down in the first place.
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